Nestor Jaime Condori Mamani. Download Fundamental Changes in Jazz Guitar - 2019 Joseph Alexander.pdf. Save Fundamental Changes in Jazz Guitar - 2019 Joseph Alexander.pdf For Later. Billy Bauer-A Life in the Bebop Guitar Business (Steven P. Bebop licks for guitar, presented in notation and TAB. These licks are based on the dominant form of the bebop scale. The dominant bebop scale is basically a mixolydian scale with an extra passing note inserted between the root and the b7. Jun 01, 2017 C7 bebop scale, then moving to a Bbmaj arpeggio. You can use this lick for many situations: Gmin. Bebop Scale Guitar.pdf. On this new lesson I will show you more ideas. 5 A7alt, and a Bbmaj - all of these and any combination of these chords are possibilities. Take this one through all 1.

6 Bebop Tunes for Guitar

A great way to expand repertoire, language and develop technique is to learn bebop tunes.

But as important as learning bebop tunes is, they can be tricky to play both rhythmically and technically on the guitar.

Because of this I have decided to write out 5 different A sections of my favorite bebop tunes for guitar with tab, notation and examples of each song recorded by a jazz guitarist.

Bebop tunes are usually composed using favorite bebop licks which make them great to learn if you are looking to develop your data base of lines.

The fingerings for each of the bebop tunes are just suggestions that I have found to work well but each melody should really be learned in at least 2 or 3 positions.

Rhythmic syncopation and chromatic passing notes are evident in each of these bebop tunes.

Scrapple From The Apple

Scrapple From The Apple was one of the first bebop tunes I learned and I still play it at gigs to this day.

Bebop musicians compose what are called ‘contrafacts’ which is a term that means a new melody based over an existing chord progression.

For example Scrapple from the Apple uses the Honeysuckle Rose A section changes.

Honeysuckle Rose was a popular standard in the days of bebop and Honeysuckle Rose theme went on to become a jazz cliché.

So it’s no surprise that the Honeysuckle chord progression was a favorite progression for bebop musicians to play over.

http://www.youtube.com/watch?v=HrUZSve-mNk

Yardbird Suite

The Yardbird Suite progression features a back door ii-V-I in bar 2 which is followed by cyclic movement and a ‘Take The A Train’ turnaround in the last four bars.

Tal Farlow and Joe Pass have both recorded versions of Yardbird Suite which proves it works well in many different situations such as a bossa nova, a burner and a solo piece.

Yardbird Suite is one of the more simpler and melodic bebop tunes which makes it a nice contrast to the busier melodies found in most bebop tunes.

Because the first four bars are trickier to improvise over I recommend looping them at a slow tempo before putting the whole progression together.

http://www.youtube.com/watch?v=-3vpqhl5C0A

Ornithology

While Scrapple the Apple is a contrafact of Honeysuckle Rose, Ornithology is a contrafact of How High The Moon.

Bebop players like this progression due to the amount of ii-V-I’s which keep descending a tone throughout most of the A section.

The melody starts with a melodic passage based off the first five notes of the G major scale.

Notice every phrase after the first one starts on the and of the beat.

The audio example demonstrates how the melody sounds with two guitars playing it an octave apart.

http://www.youtube.com/watch?v=AcU3Ok2ymu0

Move

Having a complex melody with fairly simple chord changes is a nice contrast when developing a set of bebop tunes and that’s what Move is.

Move was composed by the great drummer Denzil Best and features a catchy rhythmic riff in the first 3 bars followed by a more bop flavoured ii-V-I lick.

The triplet in bar 6 can be played legato style or picked.

Don’t forget to take full advantage of the V-I minor cadence in bars 4-5 to give you more harmonic material to draw upon.

http://www.youtube.com/watch?v=Yl1L6RRUA7Y

Ready and Able

Earlier on his career jazz guitar legend George Benson was known for his bebop guitar playing.

Ready and Able is burning tempo rhythm changes that comes from his cookbook album and demonstrates some key Rhythm Changes language.

The theme starts with a coltrane 1235 pattern in the key of F.

George Benson’s solo draws from a lot of blues based ideas which are effective to use at such fast tempos.

Bebop Licks Guitar Pdf Of The Show 2017

http://www.youtube.com/watch?v=E8Tm07PpGGI

Oleo

Rhythm changes is probably the most common bebop chord progression so to finish off this article I have included another rhythm changes head called Oleo written by Sonny Rollins.

Take special care to get the rhythms correct in this theme as that is the toughest part.

I would recommend clapping them first at a slower tempo before attempting to play them on guitar.

http://www.youtube.com/watch?v=mUWUTvkR1Ko

Bebop Tunes Etude

In the opening paragraph I mentioned that bebop tunes could be used to build up language.

The 8 bar etude demonstrates how you can use these licks in a solo by using techniques discussed in my ‘Introduction to Jazz Guitar Improvisation’ eBook.

Whether you have learned a nice tune, some new licks, or just checked out the videos I hope that you have enjoyed reading and playing through this article.

I have only touched upon the vast bebop tunes list, but these are some of my favorites that I have played at gigs.

All of themes sound great in unison with another guitarist, sax player, or even a bassist, so why not learn a few to put in your set.

What are your favorite bebop tunes to play?

4 Effective Bebop Scales Fingerings. Those possibilities are all noted in the PDF. Minor Bebop Scale. (and how to play better jazz guitar chords). Learn 141 Jazz Guitar licks over common chords and chord. Greeks Vs Amazons Game Strategy more. Pes 2009 Patch Update League. In this first Ed Bickert lick, there are two chord subs, the Bebop. Download Your FREE 84-Page PDF.

In the early 1940s a new jazz style emerged from the displeasure some jazz musicians had with the commercialism of swing music. People like alto saxophonist Charlie Parker, trumpet player Dizzy Gillespie, pianist Thelonious Monk and other young jazz players reacted against the big dance bands by playing a kind of music characterized by advanced harmonies, frantic tempos, rhythmic intricacies and long improvisations. They were more interested in developing the technical aspects of music and increasing it's aesthetic qualities, rather than enlarging their audience and wallets. There is much to be learned out of bebop today. Every jazz musician should be familiar with it's language and techniques. In this tutorial we'll have look at some licks and techniques that are typical for bebop. Outlining the Harmony Before bebop improvisations were particularly based on the melody of a tune.

A bebop improvisation is based on the chordal harmony of a tune with little or no reference to the original melody. A bebop improviser should be able to outline a tune's harmony in his solos. When you listen to a bebop improvisation and you would take away the accompaniment, you can still hear the chords of the standard in the improvised lines. A way of doing this is by putting emphasis on the chord tones. To be able to do this you should know your chord arpeggios very well in all positions on the neck.

Bebop Licks Guitar Pdf Of The Show 2019

Another thing that can help you outline the harmony is. Here's a bebop cliche based on a Dm9 arpeggio.

Bebop Licks Guitar Pdf Of The Show Youtube

The dominant bebop scale aka Mixolydian bebop scale is an eight note scale (octatonic). It has the same notes as the including a chromatic passing tone, a major seventh, between the minor seventh ( b7) and the root (1). The formula of the dominant bebop scale is root (1), second (2), major third (3), perfect fourth (4), perfect fifth (5), sixth (6), minor seventh ( b7) and seventh (7). Dominant bebop scale formula and comparison with the Mixolydian scale G Dominant bebop scale G A B C D E F F# G dominant Mixolydian scale G A B C D E F X Formulas 1 2 3 4 5 6 b7 7 What's the particularity of the dominant bebop scale The particularity of all the bebop scales is that they contain eight notes, they belong to the octatonic scale family and all of the chord tones are on down beats. Of course, this rule applies for the Mixolydian bebop scale. Pfaff Hobby 721 Manual here. The example below shows that G dominant bebop scale is made up of G (root), A (second), B (third), C (fourth), D (fifth), E (sixth), F (seventh) and F# (the additional note).